"Good artists copy, great artists steal" (c) Picasso

In the Lazur's 256 colour rendition, it is curious that they got the details in the front very well but messed up the third guys face completely.

I would contest that choosing not to reveal the use of AI is due to an agreement of the nature of the behaviour. In an ideal world that could maybe be the case, but I think the driving force behind secrecy is harassment.

There are those who use AI as part of their process proudly, but secretly, because they know they will receive abuse.

I really wonder how some people think of themselves as artists while simultaneously attacking another persons choice of self expression.

I don't think anyone was selling demos commercially or trying to pass off the creative ideas as their own work. With this in mind, we should set aside ideas of plagiarism, copyright, etc. It was a showcase of technical prowess/creativity. People knew what Death Dealer looked like & if they saw it pop up in a demo, they wouldn't think the demogroup was passing it on as their original idea (I would assert this was a given). As such, it was meant to be a reference. People thought they knew the limitation of their computer. They would play Lemmings, or whatever, and think that's as good as the graphics on the Amiga can get. The point of the demo was to blow those conceptions away.

The creative part in a demo wasn't the the art itself, the subject, the composition, etc., no, it was representing something thought impossible. Eventually, kinda like how photography changed painters' relationship with realistic representation, more powerful tech did the same with these types of demos, so the medium moved on.

It would be so awesome to make a cartoon today using original techniques with hand-drawn scenes, multiplane cameras, and most importantly jazz music :)

These people literally gods to me growing up. My parents were poorer than others so we never had any computer better than an acorn electron but the demos my friends with amigas and Atari ST’s showed my blew my mind.

If only the demoscene wasn’t so horrible culturally. It’s absolutely full of old sceners who have “earned” being dicks to people, and unfortunately many newbies who think that the way to be a real scener is to copy that behaviour. The constant flamewars on pouet.net are embarrassing. It is a good reminder that the internet did not used to be a nicer place though

> Pixel artist Lazur's 256 colour rendition (left) of a photo by Krzysztof Kaczorowski (right). A masterful copy showcasing the sharpness, details and vibrancy achievable with pixel techniques.

Well - the edited image looks clearer in the rendition, but also more fake. So unless that was the goal, I prefer the more blurred image, simply because it is more authentic than that digital edit. Many AI images have a similar problem; they look very out of place. I noticed this in some games where AI generated images are used. The images look great but they simply don't fit into the game at hand or they have a style that looks alien. Case in point was mods for the game Baldur's Gate 2 EE, where these images are great but they look very outside-ish. And that's a problem that seems to be hard to get rid of from such generated images, at the least for most of those I saw so far.

That's was a great read and I agree with the author. Though to be honest, I don't particularly like the type of Amiga pixel art in the article. That is, pixel art with relatively high resolution and relatively high color depth. Everything looks too smooth and hyperrealistic in my opinion.

I think things can look much better for pixel art that is either very low resolution (e.g. the small characters and objects in a SNES game, which would usually be just a few pixels wide, so every pixel has to be placed deliberately) or has a very low color depth (a pallette between two to ~16 colors, like the backgrounds in a PC-88 game), or both (like the sprites in a Game Boy game).

An example where higher color depth can ruin the visuals is "Snatcher" by Kojima. The backgrounds for the original PC-88 and MSX versions were relatively detailed (200x100 pixels perhaps), while the color depth was very low (8 colors?), which greatly accentuated the pixel-art look. However, the later re-releases added more and more colors and smooth gradients, which only made it look worse, like a mediocre comic book.

>It's a place of refuge from the constant churn of increased efficiency

Increased efficiency also seems to be part of its appeal. The limitation is you can't increase efficiency by just upgrading computer specs, but instead have to find innovating ways to use the existing resources as efficient as possible to make something great. These kinds of optimization or compression problems seems like something AI would be very helpful for, so I think it is premature to try and ban its usage.