Posted by cemsakarya 1 day ago
Pinocchio is a selfish brat and that's a central tenet of his redemption arc.
He was ported to Russian too but they called him Burattino (Italian for 'puppet').
The image of burratino goes back hundreds of years before the story was ever written. He was one of the Zanni characters alongside other lower-class mischevious, comedic 'naughty' (anti-authority) characters like Harlequin.
Pinocchio is mean, undisciplined, hedonistic, disrespectful, naive, and, of course, a liar. As soon as he is created, he runs away and behaves selfishly and impulsively.
Then he pays for each flaw with scars. The story shows him learning these lessons on his own wooden skin.
It is a moral story in the deepest sense. It shows what feels to me almost like "forbidden" knowledge. There is no magical thinking in it; it is not trying to preach "Doing bad things is bad, full stop". Instead, the author shows realistic consequences and the full messiness of being in the world. It shows exactly how naivety can result in exploitation (the Fox and the Cat stealing from him after promising him easy riches), laziness in humiliation (skipping school and ending up forced to perform for strangers; he loses his agency and is released only by Mangiafuoco's arbitrary mercy), vanity in manipulation (he is steered by praise, attention, and promises of fame), dishonesty in isolation (his lies literally disfiguring him in front of others, making him ridiculous and impossible to hide), and hedonism in literal dehumanization (Pleasure Island turning boys into donkeys).
It is quite rare for a children's book to be so honest about all the vile things in the world, and to show so directly that these things exist and that their consequences are not clean or neat either.
It also shows how we learn as humans. We do not start out good or bad and stay that way; we are not born "finished". We start as little monsters, full of impulses and feelings we cannot control or do not yet know how to interpret. Yet we learn by acting on them and seeing where they lead us. We are messy creatures, and Pinocchio makes it visible. I believe reading it made me a more robust person with a more sophisticated view of the world.
Which Penguin edition is this?
[1]: https://www.penguin.co.uk/books/31374/pinocchio-by-collodi-c...
I've stopped relying on third-party translations because it's common for people to editorialise or miss subtleties, especially in social media... but even professional journalists.
And the idea of disregarding professional translations in favor of LLMs for quality reasons is breathtakingly...something. Arrogant? Naive?
On my local news sites I still see crap like english word order but Romanian words on filler articles, which means it wasn't even a LLM.
Hm, that gave me an idea... sounds like a fun way to learn Italian if you already have some basic knowledge?
We decided at some point that these themes were no longer fit for children despite generations having been raised with it. That’s probably the Victorian era, when childhood is said to have been “invented.”
An interesting anecdote, in France Pipi Longstockings was heavily censored until the 90s because it was viewed as promoting disobedience. Naturally that made it so dull that nobody wanted to read it, so French people (at least those who were children then) generally don't know pipi. I only found out about all this when we moved to Sweden and my French partner had never heard of pipi, which I couldn't believe.
I think you should reread some collection of these that isn't disneyfied. They're great, but probably not what you want to read to a prepubescent kid because that'll start all sorts of conversations you'd rather not have them bring up at school and elsewhere.
The framing is that a king goes to hunt but has to turn back to get something and sees the queen and other women of the court have an orgy with his black slaves, so he murders them all and gets sad. So he goes away with his brother who is also a king to get over this betrayal and finds a threatening demon spirit, who has a human female companion who sings the spirit to sleep and then talks to the kings and tells them that she's taken captive. But, she survives by being unfaithful and fucking random dudes they come across and collect trinkets to remember these partners by. Then she fucks the kings and they return home.
One of the kings then starts fucking a virgin every night and kill her by the morning, until Sheherazade is chosen, who instructs her sister to intervene after the sex, rape in contemporary parlance, and ask her to tell a story. The king agrees to hear a story, and by having an unfinished or another story to tell when morning comes is how Sheherazade keeps the king from killing her.
To late or postmodern sensibilities there are a lot of things to take issue with in these stories, like the casual rape, or insults that are derogatory towards jews and blacks, like calling someone as stupid as the stairs to a synagogue.
Still, they're fantastic and hilarious, and have a lot of interesting information about life in Asia and Africa during ancient and medieval times. They also invite careful thought and deliberation. At least one swedish translation is quite suitable for reading aloud with a partner, something my wife and I had a lot of fun doing way back when we didn't yet have kids.
As for Pippi, she messes with cops and orphanages and refuses to go to school, so it's easy to see why some uptight jurisdictions would censor it. Personally I consider The Brothers Lionheart to be a better story, but its ethics are less obvious and it also starts off with a kid dying violently and another from disease so it's not immediately comedic in the way Pippi is.
On one hand, if we want the children to grow up into the better world, and for them to keep making it better as adults, perhaps we should set up in their minds more examples of the better world, than of the worse kind of the world. Sounds somewhat reasonable?
On the other hand, there is this "shattered assumptions theory" of psychological trauma: that such traumas are caused by the reality violently shattering one of three core assumptions, one of which is "overall benevolence of the world". So it can be argued that the more you try to shield children from the unpleasantness, the more traumatized their experience will be when they inevitably meet it; vice versa, someone's who never really assumed the world is all the benevolent ("yeah, there are nice parts of it, but you have to maintain and upkeep them") can't have that assumption shattered since he never held it.
One of the main themes of Lovecraft's work is that a man is alone in a vast, uncaring universe filled with terrible, powerful, and unknown things. Which is factually true, of course, and is not really that scary of a thought — unless you're a devout Christian who had a sudden crisis of faith, got interested in astronomy, and then lived through WWI. In this case having a benevolent God who made the world for its beloved children replaced by an empty mechanistic universe where life has sprang up mostly accidentally is indeed quite a traumatic experience. Others would those "things the man weren't meant to know" quite unpleasant, sure, but being driven to madness simply because apparently the rest of the universe doesn't revolve around humanity? Yeah, we knew that already, it's not news.
The U.S. was born out of Puritanism. That prudishness and absolutism continues to echo through into its modern culture. Most people don’t even realize it does.
That reminds me: apparently, the Puritans have actually managed to ban the celebration of Christmas and other church feasts in the Britain during the English Interregnum (An Ordinance for Abolishing of Festivals, June 1647):
Forasmuch as the Feasts of the Nativity of Christ, Easter and Whitsuntide, and other
Festivals commonly called Holy-Dayes, have been heretofore superstitiously used and
observed Be it Ordained, by the Lords and Commons in Parliament assembled, That the
said Feast of the Nativity of Christ, Easter and Whitsuntide, and all other Festival
dayes, commonly called Holy-dayes, be no longer observed as Festivals or Holy-dayes
within this Kingdome of England and Dominion of Wales, any Law, Statute, Custome,
Constitution, or Cannon to the contrary in any wise notwithstanding
To me there is a reason why when Japanese media invokes Judeo-Christian themes, it's with a sense of grandiosity and terror. Think all of Evangelion. Or how in a JRPG, any time there's a "pope" character, he's the bad guy (or at least the penultimate boss just before God himself).
Could you elaborate on this?
TL;DR heavily moralistic stories are probably more relevant in a society where you're commuting to a factory at 9 or 12, vs modern society where your education continues into the mid 20s for many and the 5 or 6 year degree being more common than 4 these days.
Yes. And we gave children Disney and television or Netflix, with only violence, with, when existing, a dumbed down plot.
The poster should disclose it is AI...
[1] https://liberliber.it/autori/autori-c/carlo-collodi-alias-ca...