Posted by moultano 18 hours ago
[1] (18 minutes) https://youtu.be/-DyrBDsKA5s
For printing there was PANTONE's Hexachrome which used 6 ink colours to greatly extend the possible colour range --- but the only printer I know of who made great use of, and profited by doing so, used it only for its increased range's covering of additional spot colours --- so they basically persuaded every printer w/in driving distance to sub-contract spot colour work to them (for those colours which fit in the Hexachrome gamut), then used fancy software to gang up jobs onto a plate, run as many copies as were necessary, cut and stack, and then send out the jobs and run the next plate, no need to wash down the press and change inks.
I tried to sell the idea of implementing it for high-end photo pieces at a printer I worked at, but no real interest because it was difficult for sales to communicate, and no one wanted to spend money printing a sample/researching images which benefited from it.
- use raw format on the camera
- edit raw eg pro photo rgb
- send this to a wide gamut printer with a large set of inks to view the image
the printer would replicate the color outside the srgb space
there are such inks as cyan, light cyan, orange
Thanks for such a beautiful article about not looking at a screen: I'm off outside... :)
It's odd he noted Apple monitiers were "better". Maybe but marginally. Many options for other platforms, like Asus Pro Arte, beat it handily. And profressional color graders use Sony BVM series (Trimaster HX / OLED) for HDR or Flanders Scientific (FSI) DM/XM series or Eizo ColorEdge CG series. You won't see a single Mac at a movie studio for movie editing or color grading.
That's screen reality. 1% evocative symbols and 99% in your head.