Posted by Curiositry 2 days ago
https://kentuckylantern.com/2026/08/31/kentucky-writer-farme...
https://www.nbcnews.com/news/us-news/wendell-berry-kentucky-...
I rejected his rejection of technology. I think he didn't appreciate the power of information technology to support exactly the dreams he held. If people can understand each other, if they can learn from the whole world how to care for their bit of earth, surely that's a good thing? Because he rejected technology he never learned of free, open source, culture. He didn't appreciate that there is another path to liberation of humans from the machines that dominate us—that we embed them in our communities, bend them to our will, and reject exploitation. There's still hope...
I however am permanently touched by his perspective on the land as our foundation.
I was so inspired that I helped start a farm on the Kentucky River. It's a journey, but we are on our way to implement a little reflection of his vision near where he dreamed us these beautiful dreams of past and future.
Another link to Quality in the Pirsig sense I haven’t seen discussed much is Christopher Alexander’s work. Specifically A Timeless Way of Building which gives similar frustratingly inexact descriptions. I guess Jane Jacobs fits in with this as well but with a bit more concreteness.
For me, Pirsig put it best: "Quality is the goal of Art." I too struggled to understand Pirsig's full metaphysical hierarchy of Quality, but this quote gets at the core of the similarities I saw in these books.
Pirsig was concerned with teaching his students writing and maintaining his motorcycle. Berry was concerned with doing fulfilling and meaningful work on the farm. The MIT hackers were concerned with finding The Right Thing: "the unique, correct, elegant [program]." All of these individuals were concerned with some notion of Quality.
Interestingly, they all viewed what they were doing as a form of art. A colleague remarked, "Sounds like art," to Pirsig upon hearing his ideas on Quality, to which he responded, "Well, it is art." Levy identifies "You can create art and beauty on the computer." as one of the tenets of The Hacker Ethic. "[A]ll serious computer programs are expressions of an individual." This was the first clue to me that they were all talking about the same thing.
Like art, Quality is more a description of a process than product. And the Quality way of working that all three books discuss is very much the same. For me, it is exactly the defining characteristics of the artistic process. Through their work, an artist expresses themselves. They make contact with their medium, be that motorcycle, field, code, or painting. They make choices. Their medium responds. Both evolve with each other. The process is inherently experimental. Importantly, their medium imposes limitations and constraints.
I gave this talk back in 2024, two years after I took the course. At the time, I was frustrated with my lack of artistic output post-graduation. These readings made me realize my creative/artistic outlet had just changed for the time being. I took a lot of solace in that. Recently, I've been trying to understand how AI fits into my picture of Quality programming.
If you've come this far, you might be interested to see some of my image & algorithm work [1]. The decluttering, exaptation exhibition was the culmination of the class and an independent study.
I should also mention Shop Class as Soulcraft (Matthew B. Crawford) as another book that influenced my thinking.
edit: https://en.wikipedia.org/wiki/Pirsig's_Metaphysics_of_Qualit...
lol
https://classes.matthewjbrown.net/teaching-files/philtech/be...
I was always struck that one of the letters in opposition to Berry's view was written by Nathaniel Borenstein, the co-inventor of MIME.
It was an odd experience for me because it was coming from such a different worldview that I generally felt I couldn't relate to what Berry was saying at all. (I could contrast that with some of Cliff Stoll's writings about his skepticism of computers, which are always coming from a culturally familiar place and are at least readily comprehensible for me.)
I also have a book Berry wrote as a rejoinder to E. O. Wilson's Consilience (called Life is a Miracle). I put the two next to each other on my bookshelf!
berry is in the same lineage as somebody like muir, and it really pains me to say, but i really wonder how relevant those individualist back to nature (and i dont say this necessarily dismissively, just dont know how to put it) imperatives really are. the world is technological, the necessities of life are commoditized, production and markets are global. how can there be any turning away from it, apart from it being a fetishistic practice, or just eccentric affectation. just think, portable nuclear reactors next to every data center soon. the march goes on.
i had similar feeling with kaczinsky, who had similar views on sanctity of nature and impact of modernity, in a way the diagnosis is incredibly correct, but the regimen ~ a return to a more anarchic, hyperlocal, individualistic relation with it ~ completely misplaced.
the terroir, does it even exist, has it ever even existed in america?
Not in the romantic sense and I'd imagine mostly ending in an Into the Wild kind of fate if at all.
That said, if you're living in a more rural area, it's not terribly difficult to cultivate a little patch of that experience for yourself.
It will never be picture perfect, but you can selectively engage with technology (and society) to an extent that you protect—at the very least—the little allotment you find yourself responsible for stewarding.
It requires a reorientation away from a default validation of a highly technical society (both in the literal sense and the Jacques Ellul [1] sense). But until they replace all of the countryside with data centers, it's still within reach. May require some creativity and sweat but it's still out there.
> To go in the dark with a light is to know the light.
> To know the dark, go dark. Go without sight,
> and find that the dark, too, blooms and sings,
> and is traveled by dark feet and dark wings.
https://www.amazon.com/dp/1582431604?lv=shuf&channelId=500&p...
> “If you could do it, I suppose, it would be a good idea to live your life in a straight line - starting, say, in the Dark Wood of Error, and proceeding by logical steps through Hell and Purgatory and into Heaven. Or you could take the King's Highway past the appropriately named dangers, toils, and snares, and finally cross the River of Death and enter the Celestial City. But that is not the way I have done it, so far. I am a pilgrim, but my pilgrimage has been wandering and unmarked. Often what has looked like a straight line to me has been a circling or a doubling back. I have been in the Dark Wood of Error any number of times. I have known something of Hell, Purgatory, and Heaven, but not always in that order. The names of many snares and dangers have been made known to me, but I have seen them only in looking back. Often I have not known where I was going until I was already there. I have had my share of desires and goals, but my life has come to me or I have gone to it mainly by way of mistakes and surprises. Often I have received better than I deserved. Often my fairest hopes have rested on bad mistakes. I am an ignorant pilgrim, crossing a dark valley. And yet for a long time, looking back, I have been unable to shake off the feeling that I have been led - make of that what you will.”
Berry was one of the few celebrities I hoped to one day meet in person.
-- Wendell Berry, The Unsettling of America: Culture and Agriculture.