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Posted by mcgin 23 hours ago

The lost joy of music piracy(www.pigeonsandplanes.com)
773 points | 521 commentspage 7
raydev 6 hours ago|
Not really the point of the article but the praise for NIN participating in the culture bothers me, because in the late 90s one could visit nineinchnails.net and just straight up download decent quality MP3s (and some MP2s!!) of the entire NIN discog, until one day (I think in 1999? 2000?) they removed all the tracks. :(

Of course, my bother is rooted in my little unemployed unmoneyed 13 year old self who didn't have access to NIN CDs at the time, but did have access to my friend's internet when I visited his house.

nubinetwork 19 hours ago||
Spending 45 minutes to download a cd, only for it to turn into a 400mb pile of garbled noise, wasn't exactly joy.
ndesaulniers 20 hours ago||
Just setup lidarr and plex. Not happy about having to re-arrange all my loose files, but claude and beets are helping.
kulshan 11 hours ago||
I still have that joy in my heart and on my server
f8e6a7d4-58d2 11 hours ago||
the i2p network has a steady and active community around the postman tracker, it's worth checking out. contribute if you can!
khalic 19 hours ago||
It's incredible how people got convinced, by unrelenting propaganda, that private copy is a crime
inigyou 17 hours ago|
Also by, you know, successful criminal prosecutions.
khalic 17 hours ago||
Even before that, it was already the case with cassettes
enahs-sf 18 hours ago||
What are the content discovery options on top of the modern arr stack stuff?
luciana1u 17 hours ago||
we traded the thrill of a 3-hour LimeWire download for the convenience of paying 5/month to rent access to songs that disappear when the licensing deal expires. progress.
infinite_spin 18 hours ago||
*archiving/sharing
0xbadcafebee 21 hours ago|
I wouldn't say the joy was the piracy.

I remember when MySpace had this silly flash player that would stream MP3s from users' profiles. This was the main way to find indie and local bands' tracks, but every major artist had a profile too. Looking at the browser requests you could easily see the request format for downloading tracks listed on profiles. And what was worse, they all followed a standard enumerated naming convention, so you could literally download every track on MySpace by simple iteration. There was no rate limit, no cookies, nothing to stop it. The result was great: not only did you get the music you were interested in, you got a lot more you'd never heard of. And you could listen to it all on any device at any time; burn it to a CD, record to cassette tape, put it on a WinAmp playlist, whatever. For a kid with a hard time growing up, that music was an escape to a better world. The freedom to listen to what you wanted, when you wanted, how you wanted, felt like a gift deserved. You'd still go to their shows when you could, pay for albums when you could, but what kid has tons of free cash to spend?

About a year later, the download method was so well known that MySpace changed to a multipart chunked streaming system and randomized the request IDs. It now required complex custom code to stream from their player alone. Access to your favorite local bands' music was now closed. The internet continued to birth to new ways to obtain music, so you could continue to get Nine Inch Nails and Infected Mushroom; but the local bands lost out on valuable word of mouth.

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