I also want to mention his hilarious role as bullock in American dad, the way he takes a role both so seriously and ridiculously makes him so fantastically hilarious.
I love him and will miss him.
Really high quality writing for its time.
The original Star Trek was Roddenberry's vision of utopia. The benevolent dictator always makes the right decisions. He's surrounded by his loyal band of perfect lieutenants, who apparently have zero desire to advance, and have no flaws at all. Any and all of them are willing to sacrifice themselves for the others. None do anything bad (unless it's a plot device with an explanation that absolves them).
Don't get me wrong, I've enjoyed watching ST very much. Just keep in mind that that it's a fiction.
Utopias used to be the most common scifi futures. This is what the so called Cyberpunks (Sterling, Gibson, Cadigan, ...) rebelled against.
It used to be all about what wonders technology will bring us. By the time of the 70s it became clear that technology doesn't necessarily make everything better, but can be a burden in itself, or even widen the gap between the haves and haves not. And that is what they wrote about. It turned out to be the most popular scifi with audiences deeming it more believable.
E.g. consider HG Wells The Time Machine, where the future start out seeming quite like an utopia but then we meet the Morlocks.
But lots of books were downright dystopian much earlier. Heck, several of the "standards bearers" for dystopias pre-date cyberpunk by a lot, like Brave New World, This Perfect Day, 1984.
Particularly stories like The Time Machine where the setting as a whole very much was revealed not to be an utopia were among the most common "utopian" settings pre-cyberpunk.
Pure utopias were very rare for a reason: They're really hard to set compelling in stories in, and so most of the ones that do exist tend to set stories on their edges and fault lines.
What changed with cyberpunk wasn't that (surface) utopias went away, or even that we get to see the imperfect underside, but that the script is flipped so that the protagonist isn't a tourist on the underside, but belongs there, and is often alienated from any seemingly perfect parts of the world they inhabit.
Compare settings that do show both sides, like The Time Machine, and a cyberpunk version of The Time Machine would probably have a protagonist that was a Morlock. The world itself wouldn't change, but we'd get to see it from the opposite POV.
> even widen the gap between the haves and haves not
America's poor have a higher standard of living than medieval kings.
False Equivalence, Red Herring, Chronological Snobbery, Fallacy of Relative Deprivation, Contextomy.
So, by this logic, a homeless person with a used iPhone is better off than Louis XIV (who literally owned all of France) just because the king couldnt play Candy Crush?
This statement confuses global technological progress across centuries with an individuals actual financial security, social power, and quality of life within their own modern society.
I simply just cant understand why would someone repeat such a statement (and I have seen it everywhere).
> False Equivalence, Red Herring, Chronological Snobbery, Fallacy of Relative Deprivation, Contextomy.
There's a lot of reasonable arguments to unpack here.
But no, it's not that Louis XIV didn't have an iPhone, it's that the vast middle class in developed countries has central heating and access to penicillin and don't die from giving birth as much.
Also, America's poor are definitely worse off than medieval kings. They don't have access to those basic things that keep most modern people wealthier than medieval kings, like food, shelter and health care.
Some of the older (pre-medieval) king's ruins in Denmark are (by our standards) small stone houses with a moat, and what makes them remarkable is that they're made of stone, and the moat is rather big, so it keeps people out. Like metal doors in apartment buildings, sort of. (Correction for the historians: The oldest king's ruins are of course just holes in the ground where wooden beams used to stand.)
s/America's poor/Europe's lower middle class/ and you're there.
probably more that Louis XIV was not a medieval king.
(French isn't that bad a language)
* https://thisisversaillesmadame.blogspot.com/2014/04/the-lack...
Being available is not equal to a person being able to afford it.
Maybe you were writing about middle class and not the poor?
On the other hand kings had free-range organic grown meat prepared by personal cook anytime they wanted which is a true luxury even today.
My parents had access to cheaper housing, less red-tape and fixed working hours, more job security than my generation, when I was born.
So now insert BUT THEY DIDN'T HAVE FLAT PANEL TV AND IPHONE in retarded Sponge Bob chicken meme here.
I mean, it’s no wonder people move from uganda to mississipi (or other places in the us) and not rhe other way around.
* https://www.theguardian.com/world/video/2014/feb/25/us-evang...
My memory might be faulty but I remember watching "The Lion in Winter" (https://www.youtube.com/watch?v=Pqz3gkrmBbo) and feeling really happy I was not alive then, even as royalty. (hope that's the movie)
You're somehow succumbing to the fallacy of the edilic life of old.
The same life where you had to have a dozen of kids to overcome infant mortality, and each time a woman gave birth it was like a Russian roulette.
And the average life expectancy was what? 40 years? You didn't had a midlife crisis because you'd be dead by then.
The answer to this riddle lies in the previous paragraph
i keep telling them they’re free to have their own personal monarchy in their own family as long as people are free to leave and also to leave the rest of us out of it. but for some reason they don’t seem to like the idea as much then.
But also, no they don't. Standard of living includes one's agency over their environment. An medieval king could say things and the kingdom would bend to their will. No one making $18,000 is having hundreds or thousands of people bending over to serve them.
Utter nonsense.
No, it doesn't.
Lol nope? This is utter ignorance. Medieval kings were constantly balancing power with people directly underneath them.
Whole dynasties have been eradicated in the continuous power struggles, particularly from rich families.
Not only that: medieval kings had to bow to religious authorities as well (something ee don’t do anymore). In 1077 kind henry iv had to stand three days bare headed in the snow to convince pope gregory vii to reverse his excommunication (an excommunication would effectively invalidate him as a king, btw).
https://en.wikipedia.org/wiki/Road_to_Canossa
You comment shows your utter general ignorance and complete misunderstanding of medieval times.
Do America’s poor have a standard thing like a roof on top of their heads? Nevermind a castle, just a basic house which has already been paid for.
Counterpoint: any leaking abandoned oil well. Check out YouTube videos documenting the abandoned oil wells in West Texas, which are dumping industrial volumes of water into abandoned land.
https://acoup.blog/2025/08/22/collections-life-work-death-an... You can read https://acoup.blog/2025/09/05/collections-life-work-death-an... which is by a working historian.
I also want to add that, none of this is relevant to the point of whether or not the current system is "just" or reasonable given and I think overall that argument is mostly a red herring.
We are social beings, and technology in the last decade especially has been gearing itself towards reducing communities both physically and digitally. Less people spend time together, more people feel lonely and isolated, and divisions between people are at all time highs with glorification of death to the “enemy”. Forums are almost entirely dead, the feed of information is both nonstop while being useless, and we have few outlets to feel true connection.
Harvard’s happiness studies finds that standard of living only impacts happiness to a point before facing a sharp plateau and socialization takes over as a dominant factor in longterm happiness, according to my memory at least. And, while I don’t entirely agree with Kojima’s predictions in MGS2, the AI seeking to provide “context” for the feeble human mind as rate of information on the Internet increases was prescient, though humans have adapted to this (albeit suffering shorter attention spans as a consequence).
IMO a true utopia would be similar to the Enterprise: people socialize and enjoy a life with comfort by technology, not at the behest of social media or the collective consciousness of others. Unplugged and connected in a more meaningful way.
thats the first sample i ever read that got me to read a book. not particularly great writing, but clean and propulsive and i hope the mystery pays off.
https://ifstudies.org/blog/more-babies-for-the-rich-the-rela...
I think it may be unclear that net worth and high education are a 1:1 proxy for IQ as many of the highest educated and highest earning individuals may be in that situation not because of raw IQ, but due to the other socioeconomic factors which lead to those conditions. Namely being born into high net worth households and being afforded extensive tutoring and supplemental education relative to their poorer peers. I accept the premise that highly educated households do correlate with high net worth, and the study's TFR findings relative to those points are interesting.
However, there is still a nonlinear relationship between high IQ and those factors, as well as between high IQ parents' offspring IQ levels. Not a few high net worth individuals choose mates based on factors distinct from having a similar or even a high IQ, if a strong correlation between genetic heritability and IQ is to be believed.
The study actually tracked high income with regards to increased TFR in the US and UK, while the correlation to high education was primarily in Sweden. This serves to weaken the connection between IQ and fertility as there are numerous high income situations which are specifically not correlated with high IQ or high education.
So, yes, having children is increasingly expensive especially in America, and wealthier people are more prolific. This does not appear, at least to my mind, to have direct bearing on observable trends in general population IQ in the short term, nor does it appear to be addressing future outcomes regarding the Idiocratic potential.
> This does not appear, at least to my mind, to have direct bearing on observable trends in general population IQ in the short term, nor does it appear to be addressing future outcomes
No but the proposed mechanism in Idiocracy is clear, and that is not happening. We may still head towards an dumb future, but it's not Idiocracy.
As far as Judge Dredd, my personal beef is that Megacity One's "dystopian" density with 800 million inhabitants from Boston to Washington DC barely ranks in terms of density in today's top 100 cities.
As far as Idiocracy, I believe that if the networks had played that and it was promoted on YouTube for free the night before the most recent presidential election, it might have gone differently.
What else would you add to the list?
Some say it was the last sci-fi utopia in modern pop culture.
They mostly just said it was all great and fair and nobody needs money and is somehow trying to be their best selves… nevermind the numerous examples to the contrary.
They weren’t really post scarcity. They never explained how they’re not in a constant state of rioting when a weird government/military decides what everyone can have or do.
You just go with it, because that’s the backdrop. You have to suspend disbelief and just enjoy the story.
But also, Picard is the best Captain, by far.
Well, post-scarcity really just means that ordinary citizens have free access to replicators (matter-energy converters).
So the closest example (and the only one I can think of where you see civilian Earth, outside of SF Academy / SF HQ or a time travel episode), is probably the double episode in DS9 where the changelings reach earth and there's a false flag event by a corrupt Admiral that causes a momentary power outage and a planetwide lockdown for a few days. I believe it's meant as a 9/11 allegory -- the homeland is attacked and suddenly everyone WANTS a police state, or at least is willing to go along with it, and only the courageous honorable military officers are there to stop the corrupt ones, all the civilians are frightened into compliance.
But post-scarcity? That just means when the security officers aren't around, people can wander into Joseph Sisko's restaurant and eat as much as they want for free, and Joseph Sisko can run his restaurant with as much food supply/ingredients and kitchen equipment as he wants for free, and every gets as much clothing as they want for free, etc. When Earth isn't on lockdown, that's the implication, everyone has as much material goods as they want for free, that's post-scarcity and the implication is they have it.
Post-scarcity doesn't mean infinite resources, or that you can have whatever you want, not everyone gets free land/space on which to build their home, for example. If that's your definition of post-scarcity then I guess at least the Q Continuum has it! :)
And yes, in Star Trek, it mostly just seems to mean that food, clothes, and small clonable objects have very little value if you live where those machines are common.
But, of course, that’s not what people think when we talk about a “post-scarcity utopia”. And they don’t think about how people have homes and property and fuel and ships, or how everything bigger than a wrench is allocated by a mega government that seems to have ultimate control over all resource allocation.
We just have to assume “everything is good somehow, and everyone is fine and docile in luxury space communism.” Because they say that.
It’s all very weird, and easy to see why it was all intentionally left unexplained. It would have been a disaster to even try.
It's worth remembering that social organization (currency, capitalism, democracy) is a technology as well, and we should not expect that a sci-fi author can explain the advances in that technology any better than they can explain a warp drive. (one nod to this I think is telling is one scene in the movie where they travel back in time and Kirk is telling the others 'they still use money' in much the same way that he would say 'they still use guns'. They have replaced guns with phasers and replaced money with something else and Roddenberry can give us the blueprint for neither).
I think it's a sign of the times that people are kind of forgetful that this is an area in which we could advance - either insisting the status quo is somehow the best possible or even completely god-given natural or insisting that the answer is really obvious and doesn't require deep thought, research, and experimentation.
It feels like the actual problem is that the status quo is so entrenched, people have a hard time imagining how to unseat it.
Consider the last few successful Presidential election campaigns. Hope and Change. Drain the Swamp. Biden's uninspired but ultimately successful strategy of running against the incumbent rather than for anything in particular. People keep voting for "we don't like what's currently happening" and the system keeps running them over.
Or maybe the problem is actually this:
> require deep thought, research, and experimentation
These are the things that the status quo robustly impedes.
Tweet firehose social media feeds and fragmented leadership.
Research funded by the entity under study or the politicians interested in manufacturing support for a predetermined policy rather than trying to find out something we don't already know.
Federal laws or even corporate-bought international treaties preventing local governments or private citizens from trying something new because the something new might solve a problem someone doesn't want anybody solving.
You're tasked with changing the system while operating under the system that evolved to perpetuate itself.
Which isn't to say that it can't be done, but it's easy to see why people are nonplussed.
What would the effects of growing up in a post-scarcity utopian society be on a human? To never fear poverty or hunger? To be sure that no matter what they do (or don’t) they will be housed and cared for as long as they live?
I assume the people in Starfleet would be the ones who are most inclined to work for their betterment, with no fear of competition, with the drive to do The Right Thing. Outside the organisation there would be people who would be totally happy in doing nothing.
It's not the same since they exist in a world where most other people aren't at that level, but we can see that the human psyche isn't always able to manage it.
That’s very different from saying everybody can now have a life style that is above the poverty line and never have to work to keep that.
But if we examine TOS and TNG, I could say it represented a "roving utopia" model where Utopia Meets Reality. The episodic nature and self-contained stories would typically examine the question: "what happens when the Roddenberry philosophy comes into contact with something unique?" and it would be a study in anthropology, comparative religions, or sociological questions.
I hadn't watched much Star Trek in the 1990s, but I was becoming excited about Babylon 5. One of the main points of departure was the planning of the 5-year story arc, and the character development that accompanied it. Every character in Babylon 5 was imbued with an origin, a narrative, and a destiny. Jumping into the story from the beginning, and riding along for all 5 imperfect years, it felt like we also had a destination, and threads came together, and there was resolution and revelation. The Babylon station was never a utopia in reality, only in its aspirations.
So I cultivated a disdain for Star Trek as it was in those days, but Trek was a product of its time, and had helped to cast the die for episodic and self-contained "Monster of the Week" type shows. However, I've rewatched all the films, and I commend them on great production values, acting, and interesting themes. The Star Trek franchise has grown to include something for everyone, including the Klingon-language performance of Bonnie Tyler's "Total Eclipse of the Heart", which definitely captured my attention.
This one is pretty famous I think and I enjoyed it a lot
https://en.wikipedia.org/wiki/Mars_trilogy
(I just read that James Cameron held the screen production rights and was planning a series, but it never happened)
Or if Comic Books are in scope, obviously "Miracleman: The Golden Age" is a utopia. Explicitly so. It is about the ways people are still people in a utopia.
Less mainstream, Greg Egan's Amalgam is also clearly a utopia. The couple in "Riding the Crocodile" choose to die at the end of that story, more out of some sense that stories need endings than because of any outside force.
As much as I love Star Trek, The Culture feels more mature and nuanced.
it's pretty shitty for anyone outside the singular theocratic military enclave that hordes all the water and decapitates scientists.
I think you're overestimating the sci-fi cannon indoctrination of the general public, or even tech people, and underestimating their reaction to current events. As things lie at the moment, Big AI is served as a SaaS that can be manipulated at any time by obscenely rich and powerful individuals with questionable decision making skills, some of who reside in the White House and some of who have called empathy a "fundamental weakness". One would be hard pressed to dispute these characters rival the caricatures present in some dystopian sci-fi as it is, they themselves even seem to enjoy the irony. Yes, I also cringe at the alarmist nature of these sentences, but we are at a point where we are most likely to dismiss things right in front of our eyes just by how outlandish it all sounds.
The public's willful transfer of their most intimate personal information to these entities, and once given almost impossible to remove, would make any surveillance state salivate. You have only to look at who holds the keys to this estate.
That is an oversimplification and simply not true at face value.
'The original Star Trek', even less so! Very morally questionable at times. In TNG, you are watching the flagship of Starfleet, it's the most coveted starship. The crew are the best they have to offer. It's obvious that they would be the most professional. Even then, they make mistakes, often serious. Sacrificing themselves - if needed - is part of their job too.
Riker does spend a long time on the Enterprise, even after being offered command a few times. He does eventually move on.
Maybe they are a little too perfect, but I'd argue that's for the best. The moments where there's friction within the crew are much more memorable because of it.
Thats in contrast with some newer Trek which have more conflicts than Stargate Universe characters and would be considered way too unprofessional even if they were Lower Decks characters.
Also he is not free of ambition, he wants Picard's job. He isn't willing to do anything negative to get it, but part of that is that Picard constantly proves himself the better captain. Picard isn't captain because he joined Starfleet first or because he has better connections, he is genuinely better at the job and non-toxic ambitious people can respect that. Riker still has more to learn from Picard that will make him a better captain later.
So I think a lot of the people staying in their positions make sense, the primary characters are as high as they can go (for their specialty) without transitioning into a role that stays on a planet.
It was actually quite pleasing to see the subplot of them them repeatedly failing until they got out of their predicament by other means.
It's a rarity to see something like that in fiction.
(That one, at least, has Geordi literally saying, "that's impossible", but comes up with a solution. Apologies if that's not the one you're thinking of.)
> LAFORGE: Captain, we can do it. We can modify the transporters.
> PICARD: Excellent.
> LAFORGE: It'll take fifteen years, and a research team of a hundred.
> PICARD: Mister La Forge, I believe we will postpone.
> LAFORGE: Yes, sir.I don't think TNG is as simple as you make it out to be. All of the characters have serious flaws. Picard does make mistakes (including some very serious, consequential ones). Characters do get angry, jealous, etc. and do bad things. Sometimes their friends help them overcome it, other times they figure it out on their own, etc. It's episodic so it usually goes back to the status quo, and that can feel kind of trite through today's lens. But it's exactly that ability to solve problems (technical, emotional, organizational, etc.) as a team that's so compelling for many of us.
Don’t get me started on their engineering that causes a matter-antimatter runaway reaction if their fuel tanks ever lose power. And routing discharge-prone HV power lines behind the bridge consoles, or placing the bridge on the outer hull.
I love it, and I know this is all in the service of the story, but I will not give Starfleet a pass for that kind of irresponsible engineering.
https://cheezburger.com/13685509/tumblr-thread-the-staggerin...
I'd put the Expanse there though.
Then again, maybe understandable, since he's a veteran ex cop in the midst of tweakers, junkies, madmen, and generally people not well geared for success in life. And it makes for bigger payoff when we DO get a situation where anantagonist actually does get the better of him - that tells us we're dealing with a sharp customer.
What great frickin' writing.
It should give every greasy shiny suit film executive a bowel-evacuating fit of shame that a support character like Mike gets more audience engagement than a half billion bucks spent in SWeIX: TRoS or Justice League or that godawful Marvel Immortals movie.
Hey, Finance Guys: you find creatives you know are good (y'know, using that newfangled notion of Domain Knowledge), you give 'em a kitchen and you let 'em cook.
The clips that the channel puts out... are... let's say interestingly timed.
https://www.youtube.com/@TheWestWing
For example, https://youtu.be/LwNtZgLPCpg was posted 13 days ago (October 16th).
Also from Andrew Sorkin...
• Joshua Malina: Jeremy Goodwin (Sports Night) / Will Bailey (The West Wing)
• Janel Moloney: Monica (Sports Night) / Donna Moss (The West Wing)
• Felicity Huffman: Dana Whitaker (Sports Night) / Ann Stark (The West Wing)
• Clark Gregg: Calvin Trager (Sports Night) / Mike Casper (The West Wing)
• Timothy Busfield: Director (Sports Night) / Danny Concannon (The West Wing)Most of the characters in Star Trek are members of the military. So of course, there's a chain of command and orders have to be followed.
The Federation of Planets wasn't a dictatorship.
And they aren't even really members of the military. Starfleet is canonically not a military force, its purpose is exploration, science and diplomacy. It just happens to have a military chain of command, and ships with military designations bristling with planet-cracking weapons. That get into battles and fight wars a lot.
I think it's more accurate to say that the Federation of Planets wasn't militaristic, not that they didn't have a military or that Starfleet wasn't their naval equivalent.
And yeah, it's not conventional military fiction which usually revolves around actions during a war. But it's still military fiction in the sense that nearly all the characters are in the military and doing missions for the military. It just happens that the government running that military is at peace most of the time and uses its military for peaceful purposes when it's not actively at war.
No, he wasn’t. He was a B-17 pilot in the Army Air Force.
That bunch had the highest mortality rates of any unit (except maybe some of the Japanese units, who were basically suicidal), during the war.
The 8th Air Force suffered heavy losses over Europe but I don't believe Roddenberry served there. He was in the Pacific and after his B-17 crash stayed in the mainland US.
Whereas Voyager, which was written after Roddenberrys passing, leaned heavily into inter-crew disputes.
I have a feeling this might be no small part in why TOS and TNG are the two ST series that contain 90% of the "only comes up once" sci-fi plots / concepts / worldbuilding that people ever make reference to when talking about "things from Star Trek" rather than when talking about Star Trek. TOS and TNG, while definitely soft sci-fi, were to some degree trying to create 22-minute-long works of literary Speculative Fiction, modelled after the sort of things you'd read in serial SF magazines of the 1950s. Later ST series are emphatically not that, and nor do they try to be.
But as you said, I think it ends up with a higher quality show.
An annoying facet of ST episodes is the morality lessons they push, like on every episode of The Brady Bunch.
While established SF writers wrote episodes for the original series (Harlan Ellison, Theodore Sturgeon, Theodore Sturgeon, Norman Spinrad, etc.), David Gerrold was a recent college graduate and "The Trouble With Tribbles" was his first sale.
It’s nice to watch something that highlights the best of humanity in a future setting.
Almost everything else in SciFi is dystopian. But ST is a rarity. And it’s all the more beautiful for it.
The difference was that rather than turn it into soap opera porn, the characters actually tried to behave professionally (most of the time).
• DS9 only had a little soap-opera drama, serving as almost a kind of fanservice sprinkled judiciously into otherwise-thematic B-plots.
• VOY had more, with entire B-plots of episodes now being character-focused, including a few arcs that would have worked just as well if transplanted into some modern-age military drama with no SF elements.
• Drama-as-the-A-plot episodes were appearing by ENT.
(After that I stopped watching, but I've heard the trend has just continued from there.)
But when you only have half a dozen-ish episodes per season, you can't afford filler.
It’s such lazy writing.
I actually didn’t mind Academy. Yeah it was flawed and had a lot of lazy tropes. But it had an identity to it and some substance to it. Not much substance, but still something. Whereas the latest season of Strange New Worlds? It wasn’t anything. It had no substance. It had no identity. It was as if someone made a silly clip show (like the Stargate 200th episode) but instead of lots of short parodies in one filler episode, they made an entire series with each episode being one very long joke. A singular punch line stretched out over nearly an hour.
I hated the first season of Discovery. But that was still better than the season 5 of SNW. I hates the first season of Enterprise. And that was also better than S5 for SNW. And I wasn’t much keen on the first season of Lower Decks either. And even that was less goofy than S5 of SNW. And what’s worse, all of those spin offs that I said had poor first seasons ended up with excellent 5th seasons. And yet SNW started of strong and fizzled out it shallow jokes.
It honestly feels like the writers had nothing.
I really enjoyed TNG as well, and DS9 probably wouldn't have even happened if not for TNG's excellence. I never really felt like the writers gave Picard's character a lot of room to change, though. A lot of the time, he was almost like the sitcom dad who was mainly there to teach the kids a lesson at the end of the episode. That's not a knock on Stewart's acting ability; I'd say he was almost certainly the best actor on the show.
Also agree about Bashir.
And some of O'Brien‘s best performances were counterpointing Bashir too.
I think as a solo character, he’s a little shallow. But he works exceptionally well at being an anchor for other characters to play off.
But yes, those instances were a bit rare.
The best dialog ever:
Lawyer: Mr Spock, I understand you know something about computers?
Spock: I know all about them.
Always makes me laugh.
Ursula K. LeGuin
DS9 did good in adding a bunch of non star fleet characters who had maybe more realistic motivations. Voyager tried but immediately just turned them all into a big happy family just like TNG.
That's why Orville is my favorite of the newer ST series. It has the high moral standards of the original series, but with characters who are far from perfect, who make mistakes, and who are sometimes even a little weird.
It's pretty much impossible to have that. You'll always have the author's worldview shaping the fictional world.
I don't expect, and don't think most people expect, for authors to not have their storytelling shaped by their views. That would be impossible. But it's not impossible for them to refrain from derailing the story just to lecture the audience on morality.
Sir, I believe you have not watched it.
So is the Trump administration's entire ideology.
Being fiction doesn't mean it can't happen in the real world.
In other words it only works because it ignores basic human nature. Which is one reason why Star Trek's utopia isn't really tractable. The others being the technology that completely ignores the laws of physics. Free energy, warp drives and magic boxes that grant wishes.
If people want a science fiction "utopia" I'd say look at Babylon 5. It certainly has its flaws but its Utopia isn't real (because they never are,) it's an ideal that people are always struggling towards.
I find it somewhat plausible that this could actually lead to something like the show depicts. There is precedent for sweeping moral changes in human history. For example, large parts of the world now find practices like torture, slavery, and collective punishment to be repugnant. Those practices still happen to some extent, but they're not viewed as being just normal like they generally were seen back in the day.
Another example is how Europe and Japan after WW2 genuinely became more pacifistic. Not just as a pretense to fool outsiders, but as a genuine change in how the inhabitants see things.
Picard says at one point "A lot has changed in three hundred years. People are no longer obsessed with the accumulation of 'things'. We have eliminated hunger, want, the need for possessions."
At another point he says "The acquisition of wealth is no longer the driving force in our lives. We work to better ourselves and the rest of humanity."
To be fair, capitalism is mainly a system of contracts and laws that allow for certain kinds of ownership structures and investments. It does not necessarily have to be done in a way that is obsessed with the accumulation of things or wealth. So those quotes are also not really anti-capitalist. But the quotes are, at least, not friendly to today's common notion of what 'capitalism' means.
Picard viewed the power of leadership as, foremost, a responsibility. Every action was careful, deliberate, and well advised. Some later Trek shows (e.g. Voyager) turned captains into geniuses who knew more about everything than all of their underlings. Picard was not an expert in most things and needed his staff to advise him. Once he knew the options and consequences, he shouldered the responsibility of the outcomes, but as a leader of a crew, not a genius with compatible lackeys and minions around him. It was a realistic take on leadership that simply doesn't appear often in television or movies.
Stewart, of course, was not Picard. It's too easy to conflate actors with their roles. However, actors do often help shape their characters, and Stewart's ability to give a thoughtful, diplomatic, and prudent character such incredible power and presence is likely what made Picard possible. The showrunners didn't need to strap a phaser to his thigh and drop him into every away mission to make him compelling because of what Stewart was able to accomplish as an actor sitting behind a desk.
Not everything. Picard was command track his whole career, I think the same was true for Sisko. But Janeway started as a science officer before switching to command, and Archer was a test pilot. Their experience in those fields would sometimes be useful. It's similar to how Picard's interest in archeology was sometimes useful.
I imagine they'd also conclude Picard is a loser.
The main issue was his PTSD.
I don't like the premise that Picard, alone, out of the entirety of the Federation, is the only thing standing between the Borg and the assimilation of Earth. It seems to go against the collectivist identity of the franchise. It's fiction, they could have written it another way, they just didn't because Picard is the star of the show.
And the PTSD isn't even the issue, he was compromised by alien mind control implants from a species far stronger than the Federation, with hostile intent. Implants the Federation couldn't even remove. Implants which have the property of aggressive assimilation. A single nanoprobe is a potential extinction level event.
Humans lose their security clearance by smoking a joint. Being puppeted and mind-controlled by eldritch alien gods into a system-wide genocide should at least lead to a demotion.
And everyone forgets Geordi was tortured and mind-controlled by the Romulans. In anything close to reality he'd never be allowed on a starship again, and Picard would spend the rest of his life quarantined inside a force field getting scanned like that guy in the X Files with the dark matter shadow.
Roddenberry was after someone younger. There’s even a casting show reel of Stewart wearing a toupee and speaking with a very bad French accent.
Lord have mercy
Basically the reverse of mirror universe meme.
Really high quality writing.
Extrapolate from that and it becomes a easier to make the right decisions.
Patrick Stewart modeled how a good man should behave and you could tell that he acted from a place of wisdom he understood through experience.
Wonderful contribution to humanity and truly saddened by this loss.
The episode is classic sitcom "wrong conclusion escalates out of hands" so I highly recommend watching it in full instead of the clips but if it's not on your streaming platform, Stewart's scenes are cut together in
I see him in this episode:
https://m.youtube.com/watch?v=xA6QbwPGlgk
I've read both Suetonius and Tacitus on the subject of Augustus and the Julio-Claudian dynasty:
https://en.wikipedia.org/wiki/Julio-Claudian_dynasty
Those who lack this family knowledge would want to start with the first episode of I, Claudius.
I'd also recommend the recent Domina for Livia's perspective.
https://youtube.com/playlist?list=PLlwzDYw6zp2D6DxLR8zGz1i_7...
Ever since I watched it, I half jokingly suggested that it should be a mandatory watch before you're allowed to join the workforce.
Not to say they're comparable - both characters and actors are much loved.
True as always.
Has it made you disappointed of how people are managed in real life?
Don't forget he voiced the Poop emoji in that movie. If only we could tell his younger, Shakespeare-acting, self.
I have the same attitude with House MD lead actor Hugh Laurie: the actor played the role greatly, but the actor was not the fictional person of the role.
Incidentally, this is one of those times when the comment section of YouTube becomes the most wholesome place on the net.
Nothing, and I do mean nothing, touches McKellan's 1995 Richard III in my eyes, for Shakespeare in cinema. Although calling it Richard III is a bit of a stretch. How about Richard III: The Greatest Hits?
Not in the same category of greatness, but apropos of this thread, I also saw Patrick Stewart playing Othello (in a reverse-race production), and that’s when I realized how good an actor he actually was.
Everyone has to watch it https://www.youtube.com/watch?v=HZnaXDRwu84
https://youtu.be/tSukMQHQLIs?t=172
To be an actor of that level, yet still have so much fun in American Dad! is so cool. He will be greatly missed.
https://www.audible.com/pd/Patrick-Stewart-Performs-the-Comp...
Good startup advice. Good life advice.
So many great lessons I have heard from him, truly a life model.
You're the captain sir, you're entitled
Hmmm, I'm entitied to ramble on about something everyone knows
Captain Jean-Luc Picard of the USS Enterprise
Captain Jean-Luc Picard of the USS Enterprise
Make make make make it so
o7
It's painfully hard to compare that to the real world.
But at least, sci fi viewers can graduate to more serious shows with increasingly complex narratives (B5, bsg, I hear good things about the expense, etc...) then discover the really dystopian shit when they realize they live in it - or decide to become tech entrepreneur to get rich building the dystopia themselves.
But you can't blame the storytellers from trying to tell a better story than the news...
May the kid inside you, who once believed in the "good folks", rear up his metaphorical heads once in a while.
It's like you never read the quote, and if you read it you did not understand it.
We live our lives to the best of our abilities and sometimes things go very bad for us. What is unreal about it?
Let me guess: you definitely don't consider the possibility of trying your best to be realistic.
Good life advice as well
- Patrick Stewart breaking character
Anyway, it's a sad day, but I do appreciate that both his work and the influence he's had on people like me live on.
Some of the best television ever made if you ask me.
I think I’m at that point the characters and their actors feel like dear friends I have grown up with. Sir Patrick will be missed. I’m glad we had a chance to say goodbye to Picard on his own series.
To me, I’ll repeat to myself he was just recruited into Section 31.
I was surprised by how many of my friends considered the character 'hot'; on paper, one would expect young people to write him off as a balding goody-two-shoes.
To have a character whose main traits included compassion and reason was a good influence on my generation of men.
I agree and although the prestige TV era has produced some wonderful TV it’s also been overflowing with antiheroes. I hope todays younger generation gets to see another character like Picard.
My condolences.
I've got fond memories of visiting in the summers as a kid and watching TNG episodes he'd taped on VHS.
R.I.P. Captain.
Shakespeare effectively changed his life, and it's incredible to think that you could map everything he did and his success to his love of the bard.
If I had to take a lesson from his life, it's to have something you love, even if it isn't trendy (especially if it isn't) because most good things flow from that.
Godspeed, captain.
https://www.bbc.co.uk/programmes/b01mfw63
(not sure if it is regionally restricted) also:
https://www.youtube.com/playlist?list=PLZsy4Rj7uAiT2NL8RIgH0...
I remember my father saying how strange it was to meet HIS father for the first time when he was 5 - suddenly there was this stranger in the house.
My grandfather fortunately wasn't violent, or a drinker, but I never saw the same closeness between him and dad that I did between my mother and her parents.
His performance (as well as how the character was written) still today illustrate what I view as an ideal male archetype. Fair, honest, in control of his emotions yet passionate. Thank you for the gift your performance has given me Mr Stewart. My life would likely have turned out a lot worse without a solid example of that a good man could be
I hope our current environment is one that can elevate someone of similar talents to an equivalent stature, but I worry our media is not up to the task.
When I think of our civilization, the Ressikan Flute often comes to mind.
Pour one out. https://picard.ytmnd.com/
What an episode, and what a beautiful, terrible, gift!
He was host at an academy awards event for technical achievement a few years back. Usually they send some random actor who jokes about how nerdy everything is. Having Patrick Stewart there was very popular he was 'one of us' even though he said himself he knew very little about tech. Had a chance to talk to him a bit afterwards and got to tell him how well appreciated he was by that audience. Gracious and funny, exactly how you might imagine he would be.
A sad loss.
Lewy body dementia was what Robin Williams had but they didn't discover until after his death and I guess he was misdiagnosed during life.
https://lewybodyresourcecenter.org/robin-williams-lewy-body-...
That page talks about what to do if somebody with LBD is thinking about suicide. After seeing what that disease does, interfering with those plans seems inhumane to me.
I watched a parent die of LBD.
After that experience, I'd also be inclined to go with "let them" as the most-correct solution to that particular dilemma.
Rest in peace captain :(
It’s also very trying for family and caregivers, as the person regresses until they’re as helpless as an infant trapped in an adult body.
And to think he was filming Picard just a few years ago.
This was a person who from a relatively young age looked old, but more importantly behaved with a sort of dignity and thoughtfulness that projected way beyond his years. I'm not really sure how to assimilate the news because on the one hand obviously this was going to be happening sooner or later. He has always just felt old. But on the other, he's felt old for my whole life, so why shouldn't he just continue on that way without bound.
If you love what you do, you do it well because you’re doing it for yourself.